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Salvatore Cascio as child Salvatore Di Vita.

Salvatore has made peace with his past with tears in his eyes. He watches Alfredo's reel and discovers it comprises all the romantic scenes that the priest had ordered Alfredo to cut from the movies Alfredo had spliced the sequences together to form a single unreduced film of aching desire and lustful frenzy. At the funeral, he recognizes the faces of many people who attended the cinema when he was the projectionist. Salvatore learns that Cinema Paradiso is to be demolished to make way for a parking lot. Alfredo's widow tells him that the old man followed Salvatore's successes with pride and he left him something-an unlabeled film reel and the old stool that Salvatore once stood on to operate the projector. Though the town has changed greatly, he now understands why Alfredo thought it was important that he leave. Salvatore has obeyed Alfredo, but he returns home to attend Alfredo's funeral. They tearfully embrace, and Salvatore leaves town to pursue his future as a filmmaker. Moreover, the old man tells him, once Salvatore leaves, he must pursue his destiny wholeheartedly, never looking back and never returning, even to visit he must never give in to nostalgia or even write or think about them. Upon his return from the military, Alfredo urges Salvatore to leave Giancaldo permanently, counseling that the town is too small for Salvatore to ever find his dreams. His attempts to write to Elena are fruitless his letters are returned as undeliverable. Salvatore woos вЂ“ and wins вЂ“ Elena's heart, only to lose her due to her father's disapproval.ДЄs Elena and her family move away, Salvatore leaves town for compulsory military service.

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Salvatore has been experimenting with film, using a home movie camera, and he has met, and captured on film, Elena, daughter of a wealthy banker. His relationship with the blind Alfredo has strengthened, and Salvatore often looks to him for help вЂ“ advice that Alfredo often dispenses by quoting classic films.

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Salvatore, still a child, is hired as the new projectionist, as he is the only person who knows how to run the machines.ДЄbout a decade later, Salvatore, now in high school, is still operating the projector at the 'Nuovo Cinema Paradiso'.

The movie house is rebuilt by a town citizen, Ciccio, who invests his football lottery winnings. Salvatore saves Alfredo's life, but not before a reel of nitrate film explodes in Alfredo's face, leaving him permanently blind. Cinema Paradiso catches fire as Alfredo is projecting The Firemen of ViggiГ№ after hours, on the wall of a nearby house. The local priest had ordered these sections censored, and the deleted scenes are piled on the projection room floor.ДЄlfredo eventually teaches Salvatore how to operate the film projector. During the shows, the audience can be heard booing when there are missing sections, causing the films to suddenly jump, bypassing a critical romantic kiss or embrace. Although they initially start off on tense terms, he develops a friendship with the middle-aged projectionist, Alfredo, who often lets him watch movies from the projection booth.

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Nicknamed Toto, he discovers a love for films and spends every free moment at the movie house Cinema Paradiso. As his girlfriend asks him who Alfredo is, Salvatore flashes back to his childhood.ДЄ few years after World War II, eight-year-old Salvatore is the mischievous, intelligent son of a war widow. Salvatore obviously shies from committed relationships and has not been to his home village of Giancaldo, Sicily in thirty years. In 1988 Rome, famous film director Salvatore Di Vita returns home late one evening, where his girlfriend sleepily tells him that his mother called to say someone named Alfredo has died.

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